Meldi Mata and her Black Goat
Details
Artform
Traditional Mata ni Pachedi, Gujarat
Artist
Vasant Manubhai Chitara
Dimensions
54 x 43 Inches
Medium
Natural Stone Pigments on Cotton Cloth
Framing
Unframed
Learn More
The Painting
Hailing from western India, particularly Gujarat, Meldi Mata is a revered goddess by Gujarati Hindu farmers and the Chunvalia Koli community. She's considered a protector of farmland, and legend whispers of her ability to grant wishes. Often depicted with eight arms wielding various weapons, Meldi Mata rides a goat as her vahana (sacred vehicle). Here she is depicted against a vibrant red which is a traditional color for Mata Ni Pachedi artwork. The background is filled with innumerable devotees as well as her fellow Devis.
The Artform
Mata ni pachedi means “behind the Mother Goddess”, and is a cloth that constitutes a temple of the Goddess. When people of the nomadic Vaghari community of Gujarat were barred from entering temples, they made their shrines with depictions of the Mother Goddess on cloth. The paintings usually have a set pattern, with the Mother Goddess dominating the central area, surrounded by deities and commoners worshiping her with equal reverence. This art form is deeply rooted in the Bhakti movement and Jain culture, tracing its beginnings to the late 17th century. Originally, Mata ni Pachedi served as a religious textile to depict the goddess Devi, often Durga or Amba, within the sanctified spaces of temples or during festive processions. The art form's dual nature of being both a form of worship and a visually captivating craft lends it a distinctive significance.
The Artist
Born in 1976, Vasant Manubhai Chitara is part of one of the last surviving families that created the Mata ni Pachedi cloth paintings. They are also called Mata no Chandarvo. They trace their association with the art of painting ritual cloth back three centuries. A ten-year-old Vasant Chitara started building portable Devi shrines in the form of textiles under the tutelage of his father Manubhai Chunnilal Chitara, a 2009 Shilp Guru awardee. They come from Vaghari tribes who were historically prohibited by upper caste communities from entering Goddess Temples. At present, Vasant Chitara has moved away from the traditional palette of maroon and black made from oxidized iron and palm sugar and experiments with turmeric, henna, and indigo to create a more varied color scheme while still using the age-old methods of extracting color from natural materials. His works are thus portable shrines that adorn houses of private collectors and organizations. He won the Gujarat State Award in 1995 and a National Award in 2001. His studio is based in Ahmedabad.
Provenance
The painting has been created by Bridge Bharat’s master artist partners.
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Other details
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