"This Gond artwork illustrates a sacrificial ritual central to the worship of Bade Dev, central deity of the Gond Pradhan community. At the center of the composition, animals are being sacrificed, signifying an offering to the deity. The ritual weapon used for this act, called parsa, is depicted at the bottom of the artwork.
Members of the community are prominently featured, dancing, playing musical instruments, and participating in the ritual. The instrument baana is used to create music, while others drink wine prepared from Mahua leaves, a traditional beverage often consumed during festivities and rituals.
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The Artform
"The Gond art originating in Madhya Pradesh derives its name from the Dravidian word kond which means ‘green mountain’. Over the years the Gond artists have developed a bold visual vocabulary that uses naturally occurring pigment colors such as black, deep red, white, and ochre. The geometric patterns involving dots are used to create an intricate image of animals and the natural environment with an infusion of a distinct style of each practicing Gond artist. The history of the Gond tribe goes back 1400 years ago, with it comes a heritage of Gond Pradhans, who were musicians and storytellers within the tribe, and the primarily practiced Gond art which has transcended from being painted on mud walls to canvas and papers. It is also popular in regions like Andhra Pradesh, Maharashtra, Chhattisgarh, and Odisha.
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The Artist
Born in 1970, Venkat Shyam is a renowned name in the Indian Tribal art space. He apprenticed under his uncle Jangarh Singh Shyam, a renowned Gond artist for several years. He specializes in contemporary Pradhan Gond art, along with murals, etchings, mixed media, and animation. He is a recipient of the ‘Rajya Hasta Shilpa Puraskar’ and has exhibited in India as well as abroad such as in the exhibition Sakahàn: International Indigenous Art at the National Gallery of Canada, in Ottawa (2013), Painted Songs & Stories, curated by John H. Bowles in the U.S.A (2010), Anadi organized by National Gallery of Moder Art, Mumbai (2004), and at the American embassy. He has published several books with his long-time collaborator S. Anand such as Finding My Way (2016) and Ganja Mahua Chronicles (2016).
Provenance
"The painting has been created by Bridge Bharat’s master artist partners.
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Other details
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