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Durga vanquishing evil

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Details

Artform

Miniature Painting, Rajasthan

Artist

Riyaz Uddin

Dimensions

9 x 11

Medium

Natural Stone Pigments on Cotton Cloth

Framing

Unframed

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The Painting

"Divinity is a common theme in all traditional Indian art forms, which is also true in the case of Mughal miniature artwork. In this painting by master painter Riyaz Uddin we see a depiction of Durga who is in the process of vanquishing Mahishasur. Though several of the characteristics that are typical to her depiction are missing, the composition allows the viewer to fill in the gaps. The painting is rendered using saturated colors that are often associated with the miniature art form. "

The Artform

"Rajasthani painting, an exquisite style of miniature art, blossomed primarily within the independent Hindu realms of Rajasthan in western India during the span of the 16th to 19th centuries. Rooted in Western Indian manuscript illustrations, this art form underwent a transformative journey, influenced by the Mughal aesthetic in its later stages of development. Distinguished by its distinct attributes, Rajasthani painting stands apart from Mughal painting—both from the imperial studios in Delhi and the provincial courts. It boldly embraces vibrant hues, along with an abstract and stylized portrayal of the human form, complemented by ornate renditions of landscapes. Reflecting the burgeoning wave of devotional fervor within Hinduism, these miniatures predominantly narrate the enchanting tales of Lord Krishna, and his beloved companion, Radha. While also incorporating scenes from India's epic narratives, musical modes (Ragamalas), and depictions of heroines (Nayikas), the 18th century introduced courtly portraits, court scenarios, and hunting scenes into the repertoire. Distinct schools have emerged based on style, including Mewar, Bundi (and its adjacent Kotah), Kishangarh, Bikaner, Jaipur, and Marwar, and even extending beyond the boundaries of Rajasthan to encompass Malwa painting, also known as Central Indian painting. "

The Artist

"Born and raised in the pink city of Rajasthan, Jaipur, Riyazuddin started painting at the age of fourteen having been influenced by his father Abdul Shakoor. During his early years Riyazuddin was surrounded by architecture, and influenced by centuries of history, seeing colors which were made from natural stones and antique knowledge passed on by his father. So it is of no surprise that influence undeniably found its way in his work. Being trained under the watchful eye of his father, he grew an inclination towards the Indian school of paintings, specifically the Rajput Painting school under which he got more inclined towards the Pahari Paintings, the influence of which is visible in each brushstroke. In 1988 he started his own studio, converting western paintings of Tarot cards to Indian miniature in 1993. Which gave birth to a style which was completely juxtaposed to his earlier style of work but without any hesitation he went on to incorporate a new surreal element that has become a signature element in his work. "

Provenance

The painting has been created by Bridge Bharat’s master artist partners.

Customizations

"Want a unique artwork for that wall at home- one that resonates entirely with you? Please use the WhatsApp chat below or email us at aakanksha@bridgebharat.com to discuss your requirements with our team. "

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Other details

"The price you see is for an unframed painting. If you want us to custom frame the artwork, please drop us a message. We highly encourage this, framing is an art by itself :) The artwork you will receive is as close to the original artwork as possible but as with all things handmade, there may be minute differences in color and motifs, truly rendering each artwork one of a kind. Trust the process! "

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