Jogini Mata
Details
Artform
Mata Ni Pachedi, Gujrat
Artist
Sanjay Manubhai
Dimensions
24 x 36 Inches
Medium
Natural Stone Pigments on Cotton Cloth
Framing
Unframed
Learn More
The Painting
Painting is often seen as the purest form of devotion and when looking at this piece one can start to imagine why. In this work by master Mata Ni Pachedi, painter Sanjay Manubhai depicts Jogini Mata, one of the lesser known goddesses in the Hindu pantheon. Jogini Mata is associated most strongly with feminine power and is known to take many different forms, as such the depictions of her vary considerably. However, what is abundantly clear when gazing upon this work is the devotion that is present in each brush stroke. Jogini Mata is seen at the centre of the composition under a gilded canopy while surrounded by other Devis and her followers. This dense painting overflows with intricate detail and a divine love that must be seen to be experienced.
The Artform
Mata ni pachedi literally means “behind the Mother Goddess”, and is a cloth that constitutes a temple of the Goddess. When people of the nomadic Vaghari community of Gujarat were barred from entering temples, they made their own shrines with depictions of the Mother Goddess on cloth. The paintings usually have a set pattern, with the Mother Goddess dominating the central area, surrounded by deities and commoners worshipping her with equal reverence. This artform is deeply rooted in the Bhakti movement and Jain culture, tracing its beginnings to the late 17th century. Originally, Mata ni Pachedi served as a religious textile used to depict the goddess Devi, often Durga or Amba, within the sanctified spaces of temples or during festive processions. The artform's dual nature of being both a form of worship and a visually captivating craft lends it a distinctive significance.
The Artist
Born in 1978 Sanjay Manubhai Chitara is part of one of the last surviving families who create the Mata ni Pachedi. He started painting at the age of 15 and learned the technique from his father. His family, who are Devi Puja, (followers of the mother Goddess) trace their association with the art of painting ritual cloth back three centuries. Sanjay Chitara has moved away from the traditional palette of maroon and black made from oxidised iron and palm sugar and experiments with turmeric, henna, and indigo to create a more varied color scheme while still using the age-old methods of extracting color from natural materials. Sanjay has participated in several exhibitions in India and around the world such as Spic Macay, Mumbai, Devi Art Foundation, Delhi, and the Hat Project, UK. He won the Gujarat State Award in 1999 and a National Award in 2000. He is based in Ahmedabad.
Provenance
"The painting has been created by Bridge Bharat’s master artist partners. "
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Other details
"The price you see is for an unframed painting. If you want us to custom frame the artwork, please drop us a message. We highly encourage this, framing is an art by itself :) The artwork you will receive is as close to the original artwork as possible but as with all things handmade, there may be minute differences in color and motifs, truly rendering each artwork one of a kind. Trust the process!"